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I know right now you’re saying “DJ Zimmie, we love your articles about DJing but this doesn’t sound like it’s about DJing…”  Au contraire, mon frère!  Any successful DJ career is chock-full of email work.  In fact, it’s not uncommon for me to spend more time each week doing email work than actually DJing (laughs and cries at same time).  Any DJ making moves will tell you that they might easily receive 50-100 emails a day.  But regardless of how many emails you do or don’t receive a day, knowing what do with those emails and how to create new ones is key to your business, whatever that business may be.  Also, if your emails aren’t business-related, handling personal emails properly is really just the right thing to do and will make everyone pull their hair out less.


“But DJ Zimmie, WHY are you writing an article about email?”  Great question.  Despite email being one of the most common forms of personal and business communication for the last two decades, many people have absolutely no idea how to use it properly.  In this article I’ll discuss some common misconceptions about email as well as tips to use it properly and things to avoid.  Even if you’re not a DJ, using email properly can help grow your business or at least let people know you have the most basic levels of common human courtesy.
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Step One: Checking Your Email


Rule numero uno:  Check your email once a day.  Stop.  Read that again.  Check your email once a day. (at least) Do you have a phone?  Do you ever go a day without checking it?  JUST PRETEND THAT IT’S THE SAME THING!  Email is a form of communication.  If you checked your email as obsessively as you checked Facebook, I wouldn’t be writing this.  Even on Sundays, when I do zero work, I still skim email subject lines just in case there’s some kind of emergency.  There rarely is one and I usually don’t open any emails.  That doesn’t mean I didn’t see them and they won’t get answered first thing Monday.  (I don’t roll on Shabbas.)


Now that you’ve opened your Inbox, actually read each email.


Remember when you got your first email?  Holy shit.  You couldn’t believe the technology existed for your aunt to tell you about her cat from 3 states away AND enclose a photo of said cat.  You read each email like it was a love letter from a girl in 8th grade.  As you got more emails, you read them less and less until eventually you just skimmed them and barely responded.  If you did respond, it was one sentence and minimal effort.  (We’ll get to replying in just a minute.)


Why read each email?  Because someone took the time to write it and had a reason to do so.  Don’t read it like it’s the credits in a Marvel movie and you’re looking for funny names, actually read it.  Now comes the work…


(This is how I picture you acting when you see emails…)



Step Two: Replying To Emails


This is THE key part of this article.  You have to reply to emails.  I know, it’s hard to believe that other people are trying to get things done (Portland, I’m staring right at you), but, some of those people are waiting for your reply to advance their projects (and probably their lives).  It’s like someone said “Knock Knock”, you made eye contact and then just walked away.  They’re on hold until you come back and say “Who’s there?!”



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(more DJ News posts here)


This is a very visual DJ news.  Lots happening with videos to match.


We Are Not Your Friends:  If you haven’t seen it, disbelieved it and mocked it yourself yet, Zac Efron “stars” in a movie about a guy fed who is up with fixing houses and decides he’s going to make the big leap to becoming an EDM DJ.  (Before watching the trailer, hide all sharp objects just in case you get the urge to kill yourself.)  Then watch my favorite parody HERE.



DJ Shot Dead for Not Playing Request:  To be honest, I’m surprised there hasn’t been a headline yet of “DJ shoots someone dead for requesting song”.  via UKF


Steve Aoki Being Sued for Breaking a Girl’s Neck:  Unfortunately it’s for jumping on a raft on top of her head, not from headnod beats.  via Billboard


“Grandmaster” Jay Fails at Redemption:  Remember the guy who faked that he could DJ to represent the shit DJ product Beamz?  Neither do I.  After receiving a ton of hate, he decided to set the record straight and show off his skills, which proved to be minimal.  Watch the video via Complex.


Skrillex Academy:  If you haven’t seen Whiplash, check it out, it’s a good flick.  (This isn’t really news, it’s just funny and I enjoy busting on space bar pushers.)


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DJ Zimmie - Grill 7 Art


7 years strong, “You Gots To Grill” is the essential soundtrack for your backyard BBQs. Inspired by the cookout in Dr. Dre’s “Nuthin’ But A G Thang” video, it delivers a perfectly marinated mix of hip-hop, funk, soul, samples and a few new flavors to keep the party on till the break of dawn. Put a fresh crease in your khaki suit and make yourself a plate.


Shout out to my ace Dave Fogg and the Mad Decent crew for releasing this mix on their Mad Decent World Wide Radio podcast.


Sign up for MDWWR On iTunes here: smarturl.it/MDWWRPodcast / MixCrate Link


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Saturday 6.20.2015

Diamonds & Denim

7 pm / Market Square / Pittsburgh, PA


For the second year in a row I’m DJing this great fundraiser to help the work of the Children’s Miracle Network.  If you’d like to have a great time and support an excellent cause, please join me for this celebration.


The Children’s Hospital of Pittsburgh Foundation Transplantation Surgery Auxiliary is excited to announce its second annual celebration, Diamonds & Denim on Market Square, Saturday evening, June 20, 2015, in Market Square. Proceeds from Diamonds & Denim on Market Square benefit the Hillman Center for Pediatric Transplantation at Children’s Hospital.
This event will feature a unique mix of casual sophistication and support for pediatric transplant patients at Children’s Hospital of Pittsburgh of UPMC. Diamonds & Denim on Market Square will sparkle with good friends, delectable food, and captivating entertainment as the Transplantation Surgery Auxiliary turns on all of its charm with the help of downtown Pittsburgh. Your participation will help make it all the more significant and special. This is sure to be the event of the summer and you have the opportunity to help make it one of the region’s crown jewels.  More information HERE



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I had an idea for a new logo but unfortunately I can’t draw a circle.  Luckily, my man Matt Gondek is ace on the design tip so he was able to help out.  (He’s got some fresh stuff, check him out.)  I printed some fresh mini stickers through StickerApp and I’ll have some shirts on the way soon.  I’m not retiring the old one, just adding a new flavor.  If you see me out, ask for some!


New DJ Zimmie stickers web

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I’m in Pittsburgh this weekend for a long weekend of gigs.  Holler at your mans.  More details in the sidebar.  Hit me if you need more info.



Tiny Giant Twins

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Insert Coins
Game Over Fridays – The Throwback Edition
DJ Zimmie x DJ 88 x Adam 12
512 Fremont St. – Las Vegas, NV


This is going to be a fun one.  Not only am I going to get to play music I love (house, disco, funk, soul, classic hip-hop) but, I’m playing it with 2 people who know how to play it.  88 is the music director at Insert Coins and has a music resume for days while Adam is the President’s DJ and the host of various dope music parties in LA like Giorgio’s.  Leave your twerking pants at home and bring your roller skates.



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For a solid 2 weeks, almost every day, someone at some point said something to the effect of “What do you think about that new Kendrick” to me.  I actually didn’t listen to the album the second it came out.  I really don’t listen to any album the second it comes out anymore.  There’s so much hype surrounding big releases nowadays that by the time the album drops, I’m so sick of hearing about it that I just wait until it’s not trending to give it a proper listen.  If I’m going to love an album and it’s going to be a classic, I can wait 2 weeks.


So.  What do I think of that new Kendrick?


I think that the new Kendrick album is really good.  I can hear Parliament Funkadelic, some Outkast, a little jazz.  I’ve listened to it several times already and it’s probably going to end up in my “classics” folder.  It’s a cohesive album.


The album is really good.  More importantly, the discussion about it is really sad (or rather the fact that the discussion exists).  I could elaborate on my opinion of the album but you have 2 ears and access to the album so you can form your own opinion.  Instead I’m going to elaborate on the discussion surrounding the album and hype in general.



My musical tastes started to take shape in the late 80s.  When I started to build my cassette and CD collection in the 90s as a teenager, I really had no idea what kind of gold I was getting.  In retrospect, the quality of the albums coming out at that time and the frequency of their release was unbelievable.  Think I’m on my “old man, good old days” shit?  Lemme run through a few gems:


Portishead / Smashing Pumpkins / A Tribe Called Quest / The Breeders / Wu-Tang Clan / Radiohead / Outkast / Morphine / Gang Starr / The Gits / Primus / Roni Size / The Notorious B.I.G. / The Beastie Boys / Jeff Buckley / Missy Elliott / Soundgarden / The Beatnuts / Metallica / Beck / Nirvana / Fiona Apple / Dr. Dre / Tool


(That was me thumbing randomly through my iPhone for about 2 minutes.  I could make a list 10 pages long and not scratch the surface.)


As the years pass, I still get lots of great albums.  Key word: albums.  The list above contains artists who put out amazing albums.  Front to back listen the whole way through albums.  Not every album they put out was amazing, but all of them have at 1 that is unfuckwitable.  Most of the time when I get a “new” awesome album, it’s not actually new in the sense that it just came out, but it’s “new” in the sense that I just got it.  Occasionally it actually IS a new release.


Fast forward to today.  iTunes, shuffling, SoundCloud, YouTube and ADD, amongst other things, have destroyed the album format.  Rappers drop albums and call them “mixtapes”, blurring the line between an official proper release and a promo release.  (Seems to me, if it sells, magically it’s an album, if it doesn’t, they call it a “mixtape” and act like they didn’t try to push it.)  I’ve gotten individual tracks from artists over a period of a few years and I don’t think they ever put an actual album out.  Labels don’t care about artist development so there’s no patience to perfect a body of work.  Material has to come out yesterday and sound like the flavor of the month.  In the end, we’re left with a diminishing number of quality albums to keep on repeat.  (Wanna see the care people used to take in making a classic album, watch one of these.  I recommend Def Leppard, even if you don’t like Def Leppard.)



Because nobody would ever want to sound like they’re not up on some new hot shit, people overcompensate.  Enter: HYPE.  When’s the last time you heard someone say “I haven’t gotten a full album in 6 months that I thought was discussion-worthy”?  Probably never, even though sometimes I’m sure that’s the case.  Instead, they rave about something, often times before they’ve even heard it, so they can sound informed and cool.  Albums are breaking sales records as presales on iTunes and Amazon.  Re-read that last sentence.  It’s totally ok to admit that you haven’t gotten anything amazing in a minute.  In the words of my friend Justin, “Sometimes everyone is on one person’s dick because there’s no other dicks to be on at the moment”.


Beyonce quietly dropped her album.  Good.  It sucked.  It should have been dropped so quietly that nobody heard it.  (I guess if you’re unsure of your product, why make a big deal of it?)  Beyonce has a half a billion dollars and she’s making songs that sound like dirty south struggle raps.  We don’t believe you.  By the way, how’s Tidal working out for you?    I honestly feel bad for girls that want to go out and dance to fun female pop music nowadays because they don’t have anyone to listen in mainstream rotation.  But you don’t hear anyone, especially women, saying “Yeah that new Beyonce just isn’t good / good as her old stuff / good as (insert non-mainstream artist here).”  Ladies… You’re stuck on an island with “Dangerously In Love” or “Beyonce”?  Let’s be honest.


Madonna kissed Drake at Coachella.  Cool.  Know what else is cool?  Making timeless pop music like you used to do.  Your shenanigans are trending.  Your music is not.


If the D’Angelo album came out under a different name, nobody would have said a peep about it.  It’s mediocre at best.  Guys like Drake watered down R&B and there hasn’t been a good album in forever.  If you were stuck on an island with only 1 D’Angelo album, nobody is picking Black Messiah.  There’s no way you have ever been as excited (or pretended to be) as you were about the new D’Angelo album.  Pre or post release.  Also, it’s weird how people that discuss the new D’Angelo album with me get reaaaallly defensive.  Like they have to defend the hype they spread before it came out.


So what’s my point?


This is a unique phenomenon that I wanted to air out.  This is our fault.  And by “our” I mean people who consume music, people who discuss music and people who make music.  Have some standards.  Try harder.  We NEED more amazing music, not just discussions and speculations.  So what do we do?


If you make music, don’t release your album until it’s as good as it possibly can be.  Do you not want to make amazing albums?  Take as much time as you need.  Take chances.  Experiment.  If you love an album or artist or producer, take what you love about them and apply it to what you do.  I loved Ellie Goulding’s first album so much.  It’s amazing.  I thought it would be a new standard for pop music, female singers, etc.  Fast-forward 2 years, her next album is a turd nugget.  She sang at the Nobel Peace Prize ceremony, the Royal Wedding.  I thought she was gonna take over the world.  Now she’s an EDM hook singer at best.  WHY?!  It’s like basketball players in the NCAA try their hardest and then they get to the NBA and they coast.



If you consume music…


-Quit asking for and accepting music that you know is shit.  Are you really in love with the coco?  Don’t be a fucking clown.  Do you drive around in your car listening to that?  Have some standards.  Your car picks up more than 3 radio stations.


-If you’re a parent, have some influence over what your kids listen to.  A woman who contracted me for a private event told me “My daughter really likes terrible ratchet rap music.  I don’t know why.”  Guess what?  Last time I checked, you were her mom.  Act accordingly and turn that shit off.


-If you buy an album and it’s shit, complain.  Tell the artist.  Just tweet right at them.  Tell other people that it sucked (then recommend something else similar but dope).  Ask for your money back.  I’ve gotten albums for free and if I had paid for them, I’d be furious.  And quit hyping up albums before you hear them.  Please.  How does that even work?


-Don’t settle for what just came out.  There are countless amazing albums that were put out over the last 100 years and the technology is in your hand to hear any of them anywhere at any time.  Quit pigeonholing your music tastes.


-Talk to a DJ.  We’re always getting new music.  That’s our job.  And when we give you a recommendation, check it out.  Or we probably won’t give you any more.  If you hear a DJ play something you think is dope or you hear something you think is dope in a restaurant / store, etc., ask what it is, then write it down and get it.  Do the work.


-If you get music that you truly believe is dope, spread the word.  Tastes are subjective but at least you can start a dialogue.  Someone flipping it on you and recommending something even fresher than what you said isn’t a bad thing.  Do you want the good music or not?


We’re all in this together.  Supply and demand.  I want the music to be as dope and plentiful as the conversation about it.  Music lover and DJ signing off…

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(more DJ News posts here)


Mass Appeal shows you where the covers for some of the most iconic hip-hop albums were shot using Google Earth.  I foresee more of this (please).




How Jay-Z’s Tidal press conference showed he’s out of touch.  via TIME


Mark Ronson’s “Uptown Funk” gets 5 new writers.  Just when you thought it was safe to make music.  via The Guardian


Simon Cowell to host “Ultimate DJ” competition.  It’s like Top Chef, but with shitty DJs acting like they’re playing shittier music.  via Variety




Revenge of the Record Labels.  How the majors renewed their grip on music.  via Forbes


As I AM: The Life and Times of DJ AM – There’s been a ton of great press about the DJ AM documentary and it’s premiere at Tribeca Film Festival.  Here’s a quick interview with one of the producers, Kevin Kerslake.  Do yourself a favor and Google more about this film.  via Indiewire